Society for Electro-Acoustic Music in the United States
The Society for Electro-Acoustic Music in the United States (SEAMUS) is a nonprofit US-based organization founded in 1984 that aims to promote the performance and creation of electro-acoustic music in the United States.[1] In particular, the organization aims:
- To encourage the composition, performance of, and research about electro-acoustic music in the United States
- To foster a network for technical and artistic information exchange
- To attract a wide diversity of members (i.e., practitioners of a diversity of experimental practices and practitioners manifesting a diversity of racial and gender identities and ages) from both in and outside of academic institutions
- To seek to remove structural and economic barriers to the creation, performance, documentation, and dissemination of electro-acoustic music
- To share SEAMUS activities with members, and with the larger artistic and academic communities
SEAMUS (/ˈʃeɪmʌs/ SHAY-muss) comprises composers, performers, and teachers of electroacoustic music representing every part of the United States and is known for its annual conference, which provides a venue for the presentation and performance of electro-acoustic music from around the world. The organization was formed in 1984 as a U.S. chapter of the International Confederation of Electroacoustic Music (ICEM) which had been formed 2 years prior in Bourges, France. The U.S. representative to ICEM, Jon Appleton, suggested to composer Barry Schrader the formation of such a chapter in 1983 and the inaugural meeting was held at the California Institute of the Arts in November 1984. Significant supporters have included CalArts, ASCAP, and The Alexander Family Foundation.[2]
Current board of directors
- President: Elizabeth Hoffman
- Vice President of Programs: Annie Hui-Hsin Hsieh
- Vice President of Membership: Abby Aresty
- Member-at-large: Eli Fieldsteel
- Treasurer: Margaret Schedel
- Secretary: John Gibson
- Director of Communications: Mark Vaughn
- Director of Recordings: Scott Miller
- Director of Technical Development: Becky Brown
- Diversity Officer: Elizabeth Hinkle-Turner
- Editor, Journal SEAMUS: Drake Anderson
- Editor, SEAMUS Newsletter: Jiayue Cecilia Wu
- Immediate Past President: Ted Coffey [3]
Conference and awards
| SEAMUS National Conference | |
|---|---|
| Genre | Electroacoustic music |
In 1987, the society began giving the SEAMUS Award to acknowledge people who have made significant contributions to electro-acoustic music. The award is presented at the SEAMUS National Conference, held annually. SEAMUS has also, in cooperation with The University of Texas, established a national archive for electro-acoustic literature and compositions. The society also established EAMM (SEAMUS Electro-Acoustic Music Month) which is a worldwide celebration of electronic, computer and electroacoustic music which occurs in November of every year.
List of SEAMUS Award Winners
- 2022 Maggi Payne
- 2020 Annea Lockwood
- 2019 Gordon Mumma
- 2018 Scott A. Wyatt
- 2017 Carla Scaletti
- 2016 Pamela Z
- 2015 Dave Smith
- 2014 Barry Schrader
- 2013 Laurie Spiegel
- 2012 George Lewis
- 2011 Laurie Anderson
- 2010 Curtis Roads
- 2009 Larry Austin
- 2008 Miller Puckette
- 2007 Joel Chadabe
- 2006 Alvin Lucier
- 2005 Wendy Carlos
- 2004 Barry Vercoe
- 2003 Jon Appleton
- 2002 Don Buchla
- 2001 Herbert Brün
- 2000 Paul Lansky
- 1999 Pauline Oliveros
- 1998 Morton Subotnick
- 1997 Bebe and Louis Barron
- 1996 Charles Dodge
- 1995 Milton Babbitt
- 1994 Max Mathews
- 1993 John Chowning
- 1991 Robert Moog
- 1990 Otto Luening
- 1989 Mario Davidovsky
- 1988 Les Paul
- 1987 Vladimir Ussachevsky
Publications
- Music from SEAMUS
- Journal SEAMUS[4]
- SEAMUS Newsletter
Other international electroacoustic organisations
- ACMA — Australasian Computer Music Association
- CEC - Canadian Electroacoustic Community
- CIME/ICEM — Confédération Internationale de Musique Electroacoustique / International Confederation of Electroacoustic Music
- DeGeM — Deutsche Gesellschaft für Elektroakustische Musik e.V. (Germany)
- DIEM — Danish Institute of Electroacoustic Music
- EMS Network - Electroacoustic Music Studies Network
- EMS — Elektroakustisk Musik i Sverige (Sweden)
- EMSAN - Electroacoustic Music Studies Network Asia Network (France - East Asia)
- ICMA — International Computer Music Association
- HELMCA — Hellenic Electroacoustic Music Composers Association (Greece)
- IRCAM — Institut de Recherche et Coordination Acoustique/Musique (France)
- NEAR — Netherlands Electro-Acoustic Repertoire Centre
- NOTAM — Norsk nettverk for Teknologi, Akustikk og Musikk
- SAM — Sound and Music (UK)
- 60x60 — 60x60 produced by Vox Novus
See also
References
- http://www.seamusonline.org/. Accessed: February 3, 2011.
- https://seamusonline.org/history/
- https://seamusonline.org/board/
- OCLC WorldCat. OCLC 16375650.
