5-25-77

8 year old Patrick Read Johnson sees 2001: A Space Odyssey and it creates a life long desire in him to create special effects movies, starting in his backyard with an 8mm camera. His father initially supports his activities, but eventually leaves the family.

He makes his own sequels to Planet of the Apes, Jaws, and Space 1999 all while dreaming of one day making it big in Hollywood himself. He makes elaborate props for his backyard films, including ape masks, spaceship models and big plastic sharks.

As a High School senior- Pat has yet to finish any of his films, much to the frustration of his best friend Bill Holmes, who is also his film making partner and lead actor. His mom probably doesn't care if his movies get finished, she just wishes he would stop tripping the circuit breakers and clean up the swimming pool once he's done using it as a shark tank.

Pat and Bill make the morning announcements at their high school where they struggle to fit in. Bill's sometime girlfriend Robin enjoys their unique friendship, even if she thinks they're goofy boys.

Pat is obsessed with 2001 and feels that he is the only one is his small town who understands it. His obsession leads him to learn all he can about special effects artist and filmmaker Douglas Trumbull, whom he mostly knows about by reading magazines like American Cinematographer. He dreams of touching the monolith and leaving his small town behind so that he can fulfill his destiny in Hollywood. His mom just wants him to have a plan after high school, and she encourages him to reach out to Trumbull so that he can become his protege.

Pat works on a new film, about an alien visiting his small town and his difficulty fitting in. He meets Linda, who works in his school cafeteria, while she is reading Arthur C. Clarke's 2001 novel. He takes it like a sign, and they begin dating, but it's unclear if she's a better fit for him than Robin. Linda has a protective friend named Tony who doesn't like Pat or Bill.

Pat's mom calls American Cinematographer editor Herb Lightman, who reluctantly agrees to host Pat on his visit to Hollywood and try to introduce him to Trumbull. They visit Trumbull's studio, where they stumble upon Steven Spielberg and his team shooting effects for Close Encounters of the Third Kind. Pat is overwhelmed by Spielberg and he ends up wandering around the studio. He recognizes several people from his magazines and is awe struck by seeing them work. As they leave the studio, they run into Trumbull, who doesn't have time for more than a "hello".

Lightman takes Pat to another studio- Industrial Light and Magic- where the technicians there are trying to wrap up the effects shots for Star Wars. John Dykstra gives him a full tour, explaining all of the models and sets and his tour ends with a screening of an unfinished work print of Star Wars.

Pat returns home, to the disappointment of his family that he failed to make inroads with any of the people he met. Pat has been enthralled by Star Wars, but fails to transfer his excitement to anyone back home. He counts down the days until its release, hoping that once it comes out everyone in his town will love the movie, and he won't feel as alone.

On the release date, 5-25-77, a series of events cause Pat to miss each of the first day's showing of Star Wars, including a fight with Bill, taking Robin to the hospital, and sleeping with Linda for the first time- and then breaking up. He has a showdown with Tony, where he rises to become the dominant ape. He makes it to the theater in time for a midnight showing, only to learn that "In Theaters Everywhere" doesn't include the one in his town.

Two weeks later, Robin takes Pat to the theater, which is finally showing Star Wars, and the line to get in goes around the block. The finished film is everything he hoped it would be, and he packs up and leaves for California- with the encouragement of his family and Bill.

Johnson began funding the project in 2001 and filming took place from 2004 to 2006. Additional shots and special effects were filmed in 2015, 2016, and over the following six years, making the film's production span a total of 18 years.

The film was first known as 5-25-77; the title was then changed to '77. In 2012, the title was reverted to 5-25-77.[2]

It is also the final film appearance of actor Justin Mentell, released almost 12 years after his death on February 1, 2010.

The film's official premiere was on May 22, 2017, at the Genesee Theatre in Waukegan, Illinois. A short theatrical run followed.[3] On December 25, 2020, its director announced on his Facebook and Twitter pages that it would be available to stream, buy and see in select theaters on May 25, 2021, but the release was postponed. On May 25, 2022, MVD Entertainment announced that they had acquired the film's worldwide rights and that it would be released in the fall of 2022.[4]

The final version debuted at the Skyline Indie Film Fest in Winchester, Virginia on September 8, 2022. It made its L.A. debut at the DTLA Film Festival a week later on September 15, and began a run on 100 screens on September 23. It was released on DVD and Blu-ray on November 22, 2022.

TBA

• 5-25-77 at IMDb