Brian Ferneyhough

Brian John Peter Ferneyhough (/ˈfɜːrnihoʊ/;[1][2] lahir 16 Januari 1943 ) adalah seorang komponis Inggris, yang bermukim di California sejak 1987. Ferneyhough biasanya dianggap sebagai figur utama gerakan New Complexity.[3][4] Ferneyhough mengajar komposisi di Hochschule für Musik Freiburg dan University of California, San Diego. Ia juga mengajar di Universitas Stanford dan menjadi dosen tetap pada kursus-kursus musim panas di Darmstädter Ferienkurse.

Daftar pustaka
  • Ferneyhough, Brian. Brian Ferneyhough by Brian Ferneyhough. Paris: L'Age d'homme OCLC 21274317 (French)

Referensi
  1. Matthias Kriesberg, "A Music So Demanding That It Sets You Free" The New York Times (8 December 2002). "Ferneyhough (pronounced FUR-nee-ho)"
  2. Pronouncing Dictionary of Music and Musicians Diarsipkan 5 May 2010 di Wayback Machine. "FUR-nih-ho"
  3. Annie Darlin Gordon (19 November 2012). "Brian Ferneyhough's Cassandra Dream Song (1970)". Diarsipkan dari versi asli tanggal 15 February 2013. Diakses tanggal 25 January 2013.
  4. "Archived copy". Diarsipkan dari versi asli tanggal 2013-11-01. Diakses tanggal 2013-01-25.

Sumber

Bacaan tambahan
  • Bortz, Graziela. Rhythm in the music of Brian Ferneyhough, Michael Finnissy, and Arthur Kampela : a guide for performers. Ph.D. Thesis, City University of New York, 2003.
  • Duncan, Stuart. "Re-complexifying the Function(s) of Notation in the Music of Brian Ferneyhough and the 'New Complexity' ". Perspectives of New Music 48, no. 1 (Winter 2010): 136–172.
  • Pace, Ian (January 1998). "Review: [untitled]". Tempo. New Series (203): 45–48, 50–52. JSTOR 946283. Reviewed works: Brian Ferneyhough – Collected Writings, edited by James Boros and Richard Toop. Ferneyhough: String Quartet No. 4; Kurze Schatten II; Trittico per G. S.; Terrain, Arditti Quartet with Brenda Mitchell (sop); Magnus Andersson (gtr); Stefano Scodanibbio (db); Irvine Arditti (vln) with ASKO Ensemble, c. Jonathan Nott. Disques Montaigne MO 7 82029. Ferneyhough: Prometheus; La Chute D'Icare; On Stellar Magnitudes; Superscriptio; Carceri d'Invezione III. Luisa Castellani (voice); Félix Renggli (fl); Ernesto Molinari (cl); Ensemble Contrechamps, c. Giorgio Bernasconi, Zsolt Nagy, Emilio Pomarico. ACCORD 205772.
  • Rosser, Peter. "Brian Ferneyhough and the 'Avant-Garde Experience': Benjaminian Tropes in Funérailles". Perspectives of New Music 48, no. 2 (Summer 2010):114–151.
  • Schick, Steven. "Developing an Interpretive Context: Learning Brian Ferneyhough's Bone Alphabet" (Subscription access). Perspectives of New Music 32, no. 1 (Winter, 1994): 132–153.
  • Tadday, Ulrich (ed.). "Brian Ferneyhough". Munich: Edition Text+Kritik in Richard Boorberg Verlag, 2008. (German)
  • Tadday, Ulrich (2008). "Brian Ferneyhough". Musik-Konzepte. Neue Folge (dalam bahasa Jerman). München: Edition Text + Kritik (140). ISBN 978-3-88377-918-8.
  • Toop, Richard. "Brian Ferneyhough's Lemma-Icon-Epigram". Perspectives of New Music 28, no. 2 (Summer, 1990): 52–100.
  • Toop, Richard. "'Prima le Parole...' (On the Sketches for Ferneyhough's Carceri d'invenzione I–III)". Perspectives of New Music 32, no. 1 (Winter, 1994): 154–175.
  • Whittall, Arnold. "Connections and Constellations". The Musical Times 144, no. 1883 (Summer): 23–32.
  • Williams, Alastair. "Adorno and the Semantics of Modernism". Perspectives of New Music 37, no. 2 (Summer 1999): 1–22.

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